SIDE A -19:19
World Boss - 5:26
No Reward - 4:48
Captured - 9:05
SIDE B - 17:46
Done Got Wise - 6:14
Whisper In Your Soul - 5:13
Scared To Live - 6:19
SIDE C -18:28
Stoop So Low (alt. Version w/JB 2 outro) - 7:49
Forsaken Savior 6:21
Funny Little Tragedy 4:18
SIDE D - 19:03
When The World Gets Small 7:58
Bring On The Music 11:05
All vinyl Pre-orders will come with two additional downloads including one of live Mule and the second featuring the guest vocal tracks.
The concept for the two-disc collection emerged organically as the band members considered how to best approach the songs. Haynes
wasn’t even certain “Funny Little Tragedy”
belonged on a Gov’t Mule
album. “Not only is it different from anything Gov’t Mule’s ever done, it kind of reminded me of The Attractions or The Clash.” With that in mind, he asked Elvis Costello
for guidance on what kind of vocal mic he should use to get the late ‘70s-early ‘80s garage rock sound he was after.
“Elvis sent me a very elaborate response explaining how he recorded this vocal and how he recorded that vocal, going all the way back to My Aim is True,” recalls Warren
. “I was really happy to get his response and I wound up using the Shure SM58, which is about a $100 microphone, and it turned out great. That was the first seed that was planted for Shout! because from that point forward I started thinking it would be cool to hear Elvis sing this tune.”
and Danny Louis
had written “Scared to Live”
as a Beatles-esque ballad, but Gordie Johnson, who co-produced four of the tracks with Haynes
, suggested they approach it as a reggae song. They even added a new section towards the end of the track, which on playback seemed very reminiscent of Toots and the Maytals.
considered asking Toots
, who is a friend of his, to sing a part on the song; then was struck by the notion that tilted The Mule towards a two-disc set: What if he went through the new songs and made a list of artists he’d like to hear singing each song? After receiving a resounding “yes” from his band mates, he reached out to the singers, to see if they connected to the material and would consider participating. Haynes
went into a New York studio with several of the vocalists and others contributed from afar.
“We’ve always taken a nontraditional approach to everything we’ve done, and it works for us,” says Haynes
. “One of things we’re very proud of about this record is that all the songs stand up for themselves and have their own personality. Hopefully, hearing another singer interpret them helps shine even more of a light on the songs and somewhere in that picture people get a glimpse of what Gov’t Mule does.”