The sound of vinyl. There's nothing like the warm, deep and smooth sound of your favorite album or LP from a vinyl record. Vinyl is also the only place to find so many of the rarities, exclusives and limited editions unavailable in any other format.

The feel of vinyl. The personal, tactile experience of vinyl is another beauty of this format. Huge multicolor images, unique pressings and print techniques expand the artists' ability to communicate their album art in a resolution almost infinitely more engaging than pixels on a screen.

The love of vinyl. In a world of bits and bytes, the feeling of owning, touching and keeping your favorite recorded music is a unique and singular experience, and one artists haven't forsaken. Artists are putting more into the creation of their records than ever creating totems as much a part of the statement as the music.

A vinyl collection, whether one record or a million, is a must-have for any music fan.

“Is it wrong, wanting to be at home with your record collection? It’s not like collecting records is like collecting stamps, or beermats, or antique thimbles. There’s a whole world in here, a nicer, dirtier, more violent, more peaceful, more colorful, sleazier, more dangerous, more loving world than the world I live in; there is history, and geography, and poetry, and countless other things I should have studied at school, including music.”
― Nick Hornby, High Fidelity
 
Maybe that's why music fans across all genres are returning to this timeless format.
 
But there are many other reasons to treasure your favorite album beyond just bits and bytes.

Vinyl

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Keith Mlevhu

Housed in paste on jackets. Limited to 500 copies. Anthology of arguably Zambia's most prolific artist. Infamous in Zamrock circles, Keith's name is often mentioned alongside Paul Ngozi and Witch as one of the Zamrock Era greats. A solo artist to a fault, outside of allowing Cosmos Zani to play keyboard occasionally, Keith played all the instruments on his albums, including using a megaphone to manipulate his voice on some songs. He also went against the grain and created his own MAC BULLET imprint as opposed to going with any of the more significant Zambian labels. Winning the Zambian polls for Best Solo Artist in 1977, he finished second to the Ngozi Family's "Heavy Metal" album for Album Of The Year in 1978, and was also runner up for Best Guitarist, Best Bassist and Best Vocalist in the same polls. This is the first time his finest moments have been collected as a set, and the first release he's had outside of Zambia since the WEA/France reissue of his second album 'Love &amp; Freedom' in 1978. It also includes music never released on LP before, a song from a private press 45 which is by far his rarest offering outside of his unreleased 'One Man Band' and 'Aqualung' albums. Fans of Zambian Rock (Witch, AMANAZ, Salty Dog, The Peace, Harry Mwale &amp; Ricky Illilonga) will love this one!
 
Track List 
<ol class="track-list">
<li class="track">The Law Must Change</li>
<li class="track">Dzikolino ni Zambia</li>
<li class="track">The Bad Will Die</li>
<li class="track">Work Hard for Yourself</li>
<li class="track">The Rich and the Poor</li>
<li class="track">Love and Freedom</li>
<li class="track">I am your Warrior</li>
<li class="track">It's a Beautiful Song</li>
<li class="track">I Don't Love Nobody</li>
<li class="track">I Gotta Move</li>
<li class="track">I Can Fight you all Alone</li>
</ol>
 
Protection 
 Each record is protected within its record sleeve by a white vellum anti-dust sleeve.
 

 
Packaging 
 All items are shipped brand-new and unopened in original packaging. Every record is shipped in original factory-applied shrink wrap and has never been touched by human hands.

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