When bebop took over from swing, it was feared that the trombone was on it's way to becoming a minor instrument. Few other than J.J. Johnson and Kai Winding could figure out how to play the potentially-awkward trombone at the rapid speeds favored by Charlie Parker and Dizzy Gillespie. However Curtis Fuller, who emerged in the mid-1950s, developed a style inspired by J.J. Johnson that became an influential force and helped to save the instrument. By the time he recorded The Opener in 1957, Fuller was the definitive hard bop trombonist, a position that he would own after spending several years in the 1960s as a member of Art Blakey's Jazz Messengers. For his debut Blue Note album, Fuller digs into three standards, two originals and 'Oscalypso' (a calypso by Oscar Pettiford), showing that the trombone has an important role in modern jazz, at least by those who could play on this level. His warmth, swing and consistently colorful ideas make The Opener one of Curtis Fuller's most exciting and memorable.
A Lovely Way To Spend An Evening
Here's To My Lady
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