Over the span of his 25-year music career, native Texan and Austin resident Elias Haslanger has carved a unique and distinguished place in jazz history as a saxophonist, composer, and band leader, whose playing and writing has drawn comparisons to John Coltrane, Sonny Rollins, Ben Webster, and Wayne Shorter. He has performed, recorded, and toured with many world-class artists including Ellis Marsalis, Maynard Ferguson, Asleep at the Wheel, Alejandro Escovedo, The Four Tops, and The Temptations, among many others. Elias has performed around the United States and Europe at clubs like Snug Harbor in New Orleans, Jazz Alley in Seattle, The Elephant in Austin, and The Blue Note in New York. He has also served as a guest artist/lecturer at universities around the nation. Mentored by the legendary saxophonists Harvey Pittel and Dick Oatts, Elias began to explore the instrument's vast potential by studying saxophone at the University of Texas and then at the Manhattan School of Music. His interest in writing music culminated in a Master's Degree in Composition at Texas State University (TSU) in San Marcos. In 1996, Elias recorded his second CD as a leader entitled For the Moment, which received substantial national airplay, reaching #11 on the Gavin Jazz charts and #14 on the Jazziz Radioactive chart. Herb Wong from JazzTimes magazine wrote, "Haslanger is clearly in the forefront of the young, new, fresh players. He has respect for tradition as well as being himself. He is a merger of the past and the future." Elias was awarded "Best Horn Player" by the Austin Chronicle in 1997, as well as the Jazz Instrumental Soloist College Outstanding Performance for the 20th Annual Downbeat Student Music Awards. In 1998 TSU awarded Elias the Mitte Scholarship for academic achievement, and Elias began to teach music theory and composition at the university. That same year, Elias collaborated with the patriarch of the modern jazz scene, Ellis Marsalis, to release Kicks Are for Kids, of which DownBeat magazine writer Michael Point wrote, "Haslanger is now a full grown talent, both as a composer and instrumentalist whose future has almost unlimited potential and should be regarded in national terms." Kicks Are for Kids won praise from fans and critics around the world, and the recording was recognized as one of the top five jazz records of the year by Rick Mitchell of the Houston Chronicle, while the Austin Chronicle's writers Jay Trachtenberg and Christopher Hess voted it the #1 and #3 best records of all Austin artists. DownBeat's writer Michael Point voted Kicks Are for Kids as one of the top ten best CDs to come out of Austin in the 90's, and it reached #4 on the Gavin Jazz charts with 180 radio stations around the country playing it. Elias was also awarded "Best Jazz Group" by the Austin Chronicle later that year. During this time, Elias continued to teach theory, saxophone, and composition at TSU before moving to Brooklyn, New York in 2000. While living in Brooklyn, Elias was contacted by jazz trumpeter and musical icon Maynard Ferguson and invited to tour the United States as part of his Big Bop Nouveau band. As the featured tenor soloist in the band, Elias held the same chair Wayne Shorter had held many years earlier, and the experience touring with Maynard helped to shape Elias's philosophy as a band leader and performer. Since returning to his hometown of Austin in 2004, Elias has kept an active performing and recording schedule, including releasing the 2006 recording Dream Story and performing weekly engagements in Austin, Dallas, Houston, San Antonio, and New Orleans. Elias recently celebrated the release of his 5th CD as a leader, Church on Monday, featuring Texas jazz icon Dr. James Polk, the former musical director for Ray Charles. Says Jay Trachtenberg from the Austin Chronicle about Church on Monday, "Haslanger has consistently demonstrated a penchant for ageless chestnuts, and this session is no exception. His version of "On a Clear Day" is simply divine, fashioning a creamy, satin-smooth tone that harkens back to an earlier e
Church On Monday
On a Clear Day
Trouble No. 2
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