The Voice Calling finds Fennelly's lexicon expanding in striking ways with the welcome but unexpected addition of Haley Fohr. With her incantatory vocals, fellow Chicagoan Fohr, well regarded for her arresting recordings as Circuit des Yeux, supplements the gorgeous, woozy speechlessness of Fennelly's Indian pedal harmonium, augmented by oscillators, tape delays, and synthesizing processors. Channeling Catherine Ribeiro and latter-day Scott Walker's declamatory, dramatic deliveries, Fohr contributes a new textual dimension with her occasional, elliptical lyrics, edging the music further into corporeality and away from abstraction.
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