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  4. NONESUCH GUIDE TO ELECTRONIC Vinyl Record

NONESUCH GUIDE TO ELECTRONIC Vinyl Record

$79.99$71.99
For a limited time only
Merchbar Gold Supplier

NONESUCH GUIDE TO ELECTRONIC Vinyl Record

$79.99$71.99
For a limited time only
Merchbar Gold Supplier
StatusOut of Stock
Delivery
A1I. Peace Three
II. Signal Generators
A. Sine Waveform
A2a1. Slow-Motion Audible Example
A2b2. Composition
A2c3. Harmonic Synthesis
A2d4. Non-Harmonic Synthesis
B. Sawtooth Waveform
A3a1. Slow-Motion (Negative- And Positive-Going)
A3b2. Composition
C. Rectangular Waveform
A4a1. Slow-Motion Audible Example (1/8-1/2)
A4b2. Composition (Using 1/8, 1/7, 1/3, 1/2)
D. Triangular Waveform
A5a1. Slow-Motion Audible Example
A5b2. Composition
-
A6E. White Sound Composition
III. Control Generators
A7aA. Transient Generator, Amplitude, Frequency And Timbre Modulating In Slow-Motion
A7bB. Sequential Voltage Sources. Composition
IV. Frequency Modulation
A. Keyboard Control
B1a1. 12-Tone
B1b2. Quarter-Tone (One Real Octave = 2 Keyboard Octaves)
B1c3. Ditone (Four Real Octaves Played In Keyboard Range Of One Octave)
B1d4. Portamento
-
B2B. Ribbon Control
C. Periodic
B3a1. Vibrato Ⓢ (Speed Increases As Pitch rises)
B3b2. Sine-Higher Frequency
B3c3. Sawtooth-Swept
B3d4. Rectangular 1/2-Swept L2
B3e5. Triangular-Swept
D. Periodics Combined
B4a1. 3 Square Waves At Different Frequencies
B4b2. 3 Triangular Waves At Different Frequencies
B4c4 Different Waveforms 2L 2N 2V 2S At Different Frequencies
-
B5E. White Sound
F. Transient
B6a1. Up An Octave, Back To Pitch
B6b2. Up A 3rd, Back To Pitch
B6c3. Down An Octave, Back To Pitch
B6d4. Down A 3rd, Back To Pitch
V. Amplitude Modulation
C1A. Keyboard
C2B. Ribbon Controller
C. Periodic
C3a1. Tremolo
C3b2. Sine-Higher Frequencies (S Sweeping S)
C3c3. Sawtooth (Negative- And Positive-Going Swept)
C3d4. Rectangular-L2 Swept
C3e5. Triangular-Swept
D. Periodics Combined
C4a1. 4 Square
C4b2. 3 Triangular
C4c3. 4 Different Ⓢ, Ⓝ, 2L, Ⓥ
-
C5E. White Sound
F. Transient
C6a1. Slow
C6b2. With Rising Pitch
C6c3. ∧∧∧∧∧
VI. Ring Modulation
A. Sine Waves
C7a1. Series Of Sub-Audible Constants
C7b2. Tune In Parallel
C7c3. Tuned In Opposite Direction
-
C8B. Sawtooth
C9C. Rectangular L2
VII. Filtering
D1A. White Sound - With Fixed Filters Selected 3rd Octave
B. White-Sound-Tuned Filters
D2a1. Broad
D2b2. Sharp
-
D3C. Low-Frequency Sawtooth-Tuning Through Harmonics
D4D. Composition-Tuning Through 2nd, 3rd, 7th And 16th Harmonics
D5E. Swept With Ribbon Controller
F. Periodic
D6a1. Sine-Timbre Vibrato Effect
D6b2. Sine-Variable Rate And Depth
D6c3. Sawtooth (Descending And Ascending)
D6d4. Rectangular
G. Transient (Sawtooth With Transient Controlled Filter)
D7a1. -----------------
D7b2. -----------------
D7c3. ------------------
D7d4. ------------------
VIII. Tape Delay
D8A. Single Repeat
D9B. Multiple Repeat
-
D10IX. Peace Three (Recap)

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