NONESUCH GUIDE TO ELECTRONIC Vinyl Record
$79.99$71.99
For a limited time only

NONESUCH GUIDE TO ELECTRONIC Vinyl Record
$79.99$71.99
For a limited time only

A1 | I. Peace Three |
II. Signal Generators |
A. Sine Waveform | |
A2a | 1. Slow-Motion Audible Example |
A2b | 2. Composition |
A2c | 3. Harmonic Synthesis |
A2d | 4. Non-Harmonic Synthesis |
B. Sawtooth Waveform | |
A3a | 1. Slow-Motion (Negative- And Positive-Going) |
A3b | 2. Composition |
C. Rectangular Waveform | |
A4a | 1. Slow-Motion Audible Example (1/8-1/2) |
A4b | 2. Composition (Using 1/8, 1/7, 1/3, 1/2) |
D. Triangular Waveform | |
A5a | 1. Slow-Motion Audible Example |
A5b | 2. Composition |
- | |
A6 | E. White Sound Composition |
III. Control Generators | |
A7a | A. Transient Generator, Amplitude, Frequency And Timbre Modulating In Slow-Motion |
A7b | B. Sequential Voltage Sources. Composition |
IV. Frequency Modulation |
A. Keyboard Control | |
B1a | 1. 12-Tone |
B1b | 2. Quarter-Tone (One Real Octave = 2 Keyboard Octaves) |
B1c | 3. Ditone (Four Real Octaves Played In Keyboard Range Of One Octave) |
B1d | 4. Portamento |
- | |
B2 | B. Ribbon Control |
C. Periodic | |
B3a | 1. Vibrato Ⓢ (Speed Increases As Pitch rises) |
B3b | 2. Sine-Higher Frequency |
B3c | 3. Sawtooth-Swept |
B3d | 4. Rectangular 1/2-Swept L2 |
B3e | 5. Triangular-Swept |
D. Periodics Combined | |
B4a | 1. 3 Square Waves At Different Frequencies |
B4b | 2. 3 Triangular Waves At Different Frequencies |
B4c | 4 Different Waveforms 2L 2N 2V 2S At Different Frequencies |
- | |
B5 | E. White Sound |
F. Transient | |
B6a | 1. Up An Octave, Back To Pitch |
B6b | 2. Up A 3rd, Back To Pitch |
B6c | 3. Down An Octave, Back To Pitch |
B6d | 4. Down A 3rd, Back To Pitch |
V. Amplitude Modulation | |
C1 | A. Keyboard |
C2 | B. Ribbon Controller |
C. Periodic | |
C3a | 1. Tremolo |
C3b | 2. Sine-Higher Frequencies (S Sweeping S) |
C3c | 3. Sawtooth (Negative- And Positive-Going Swept) |
C3d | 4. Rectangular-L2 Swept |
C3e | 5. Triangular-Swept |
D. Periodics Combined | |
C4a | 1. 4 Square |
C4b | 2. 3 Triangular |
C4c | 3. 4 Different Ⓢ, Ⓝ, 2L, Ⓥ |
- | |
C5 | E. White Sound |
F. Transient | |
C6a | 1. Slow |
C6b | 2. With Rising Pitch |
C6c | 3. ∧∧∧∧∧ |
VI. Ring Modulation |
A. Sine Waves | |
C7a | 1. Series Of Sub-Audible Constants |
C7b | 2. Tune In Parallel |
C7c | 3. Tuned In Opposite Direction |
- | |
C8 | B. Sawtooth |
C9 | C. Rectangular L2 |
VII. Filtering | |
D1 | A. White Sound - With Fixed Filters Selected 3rd Octave |
B. White-Sound-Tuned Filters | |
D2a | 1. Broad |
D2b | 2. Sharp |
- | |
D3 | C. Low-Frequency Sawtooth-Tuning Through Harmonics |
D4 | D. Composition-Tuning Through 2nd, 3rd, 7th And 16th Harmonics |
D5 | E. Swept With Ribbon Controller |
F. Periodic | |
D6a | 1. Sine-Timbre Vibrato Effect |
D6b | 2. Sine-Variable Rate And Depth |
D6c | 3. Sawtooth (Descending And Ascending) |
D6d | 4. Rectangular |
G. Transient (Sawtooth With Transient Controlled Filter) | |
D7a | 1. ----------------- |
D7b | 2. ----------------- |
D7c | 3. ------------------ |
D7d | 4. ------------------ |
VIII. Tape Delay | |
D8 | A. Single Repeat |
D9 | B. Multiple Repeat |
- | |
D10 | IX. Peace Three (Recap) |
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